Aesthetic rationality and the limits of instrumental reason in Theodor Adorno
DOI:
https://doi.org/10.4013/con.2025.212.04Keywords:
Instrumental reason. Functional integration. Aesthetic reason. Mimesis. Theodor Adorno.Abstract
The main objective of this article is to present the main aspects of aesthetic rationality, as elaborated by Adorno in his work Aesthetic Theory, and to clarify the limits of instrumental reason as a guide for human life. Thus, the article will have two parts: (a) in the first, we will characterize the main features of instrumental rationality, as described in the work Dialectic of Enlightenment, and (b) in the second part, we will present the main points of aesthetic rationality and its relationship with mimesis, which allows human beings to think of a non-violent relationship with the non-identical. The methodology adopted for this article is the biographical review, which provided the necessary elements for writing.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
I grant the journal Controvérsia the first publication of my article, licensed under Creative Commons Attribution license (which allows sharing of work, recognition of authorship and initial publication in this journal).
I confirm that my article is not being submitted to another publication and has not been published in its entirely on another journal. I take full responsibility for its originality and I will also claim responsibility for charges from claims by third parties concerning the authorship of the article.
I also agree that the manuscript will be submitted according to the journal’s publication rules described above.