Illustrated letter in advertising: The tension between the visual and the verbal
DOI:
https://doi.org/10.4013/fem.2016.182.03Abstract
The purpose of this article is to understand the illustrated letter in advertising communication. It was found that the illustrated letter has as its main characteristic visual elements in its structure that form some sort of tension with verbal elements. Based on Santaella (2001) and Santaella and Nöth (1998) it was possible to organize them into groups and arrangements according to visual perception, understanding of the context and relationship of the illustrated letter with the advertising composition. The definition of such arrangements contributes to a better understanding of the illustrated letter, enabling the classification of the types of tensions and their grouping according to their predominant characteristics. The qualitative research was conducted through the analysis of the selected ads, taking Peirce’s signic categorization as semiotic method.
Keywords: advertising art, typography, visual semiotics.
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